Numbers
are a mathematical abstraction linked to the binding electron of matter.
The representation of these abstractions emphasize the involved arrangements
in a state of matter that become psychique due to the constituante unity (1)
of all numbers.
The more that the constituants 1 of numbers addition themselves up, the more
the numerical values are higher but inversely they have a lesser value from
a psychique point of view. This is why 1 is in a psychique dominant position
in the continuation of whole numbers.
For example, the number 6 contains 6 times 1 (1+1+1+1+1+1) but also is (2+3+1). The 2 and the 3 which are numeric values greater than 1 appear a less amount of times in the constitution of the 6. in this example and in all cases 1 is the supreme value of the psychique state of matter that shows up in the human brain.
Pascal
represented the supremacy of 1 in a triangular formation where 1 encompasses
all the numbers. This numerical representation coming from a numerical universal
potential and is brought by an individual consciousness. This representation
is a form of numerical behaviour which illustrate the archetype of the founder
1. and the link between numbers and forms that emerges
in man's psychique.
1..2...3...4
oblique lines 4...3...2...1
-
Oblique line 1, the continuation of the one
- Oblique line 2, the continuation of Whole numbers (1-2-3-4-5-6-7-8-9---)
- Oblique line 3, the continuation of the triangular numbers (1,3,6,10,15,21,28,36...)
- Oblique line 4 and following, rectangular numbers 4,also square n, 10 also
triangular n, 20 (10,35,56, 84,70,126...
To make you remind the triangular numbers formation:
1
1+1
1+2 =3
1+2+3=6
1+2+3+4=10
1+2+3+4+5=15
1+2+3+4+5+6=21
1+2+3+4+5+6+7=28
1+2+3+4+5+6+7+8=36
it's one of the ideal prototypes for the value of numbers that is put in a form. The numerical inputs reproduced by images are the bases for archetypes that structure the inconscious.
The human soul is longing for light
The
universe is aesthetic and what represents it must also be it.
Man is dependent on relationships that occur between phenomena. Any phenomenon
aiming towards harmony or order between things can be represented by numbers
which impel relationships. During
a phenomenon of artistic and spiritual creation, an order of procedure is
often hidden but at the same time, is what establishes the identity of a masterpiece.
The harmony of a masterpiece is related to the operational value of numbers.
The pythagoreans knew the relationship of numbers with the sounds by the acoustic noise given out by a musical instrument. The motion across a position of equilibrium of a cord system produces sounds from a low register to an acute register and are dependent on the length of the cords.
The more we go back to the time of artistic creation, the more working order can be deciphered. The more a masterpiece is a carrier of numbers, the more it is close to the nature of created things and is retained in that way by the collective memory.
A man whose eye is not exerted to pictorial deciphering can feel emotions as well as another cultivated person. The underlying structure of a masterpiece is in adequacy with the mental structure of the human brain built on the memory of numbers.
The ratio of forms and colours between themselves is also a message structured by numbers which the human brain perceives more or less consciously.
From this point of view, Italian Renaissance art was the forerunner of European art which was initiated by men like Alberti. Alberti was an author of treaties in latin and in common language on architecture, painting and sculpture. This theorician with his universal knowledge practised all forms of sciences of his time as well as philosophy and literature. He tried to reconcile antic rationalism with the expression of christianity through architecture, pictural arts and sculpture.
The union between form and content occults the colour-image- language ratio and develops the outward sign culture.
What is valid for painting is also valid for any written work. This was highlighted by structuralism in the fifties. Vladimir Propp did a remarkable work on the subject of fairy tales. He highligted a general framework of an organisation of events applicable to all fairy tales showing that it was as if the human brain could not do without a general structure.
The hidden order is the signature of masterpieces that are ruled by the hidden law of numbers so that they established a structured world, a universe which builds the